Piano music Sonatas and sonatinas Sontata in A major op.
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Sonata in F minor op. Sonata in D minor op. Sonata in G minor, Sonatina in F major Zweite. Sonatina in B major.
Suites with opus numbers Suite in G minor op. Suite sentimentale op. Vierte Suite in F-sharp minor op. Suite no. Kanonische Suite op. Suite in G minor op. Suite in G major op. Suites without opus numbers Suite in C major.
Impromptu No.4 in C sharp minor, Op.66 "Fantaisie-Impromptu"
Suite in D major. Suite in A minor. Suite in B major, Suite in B minor, ? Variation works Variations on An Alexis. Variations on a Scottish folk tune. Variations on God save the Queen. Variations on Gubben Noak. Variations on Jord och himmel. Variations on Kleine Nordische Lieder ohne Worte nr Miniaturbilder op. Fantasy in F major, Capriccio, Konzert-Ouverture , March in F major op. Fantasies op. Novelletter op. Impromptu D major op. Bilder ur barnalifvet op.
Two piano pieces in scherzo form op. Bagatelles op. Impromptu no.
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Tarantella in A minor op. Kobolde und Nixen op. Introduktion und Scherzo op. Ballade in F minor op. Scherzo in D major op. Etude in A-flat major op. Scherzo in B major op. Other piano music without opus numbers Allegro in D minor, Blumenlieder und andere Lieder, 20 pieces in two booklets, datings from and Fantasy on A-G-D-A.
Kleine Ballade in A major. Preludium in C minor, Quadrille de Lanciers, Salongspolka in A-flat major, Scherzo in E-flat major, Valse no. Valse de salon in F-sharp major, In additon a several hundred minor pieces in manuscript. Piano four hands Works with opus numbers Fantasy in A minor op. Novellette in f major op. Polonaise in A major Scherzo D major. Two small suites on the chorales no. The scale and some chorals for organ or piano op.
Suite on Sv. Other works Wedding march. Offertorium, Organ Etude, Rebus for harmonium. Funeral march in C minor. Several other preludiums and minor pieces. Fiskarflickan J. Runeberg , 2. Svanen B. Munthe , 5. Kvarnvisa lyrics from En yngre son, lyricist unknown , 9. Aftonsaga Emil von Qvanten , Sieben Lieder op. Sankt Stephan G.
An der Quelle sass der Knabe F. Reiterlied F.
Opus 9 Listening Guide - Variations on a Theme of Robert Schumann for Solo Piano
Barbarossa F. Bitte N. Blomman B. Vaggvisa F. Stemning H. It might be a couple of times a month and would make a really big difference to our ability to make money.
Schumann, Robert Alexander
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Jorg Demus. Eurodisc Stereo. Keep up with Oxfam's Online Shop Subscribe to our newsletter for all our latest updates, offers and promotions. Share this product with your friends and family! Far exceeding the limits of any other system, the CEUS measures the velocity of the hammer on its way to the string just before striking it a distance of just 0.
Up to velocities were recorded per key and playing technique, i. There are simply no audible steps between the singular velocity layers, and every single key has its own authentic velocity curve.
No human pianist, no matter how skilled, would be able to play evenly spaced velocities from pianissimo to fortissimo, not to mention playing them consistently across all playing techniques such as sustain pedal or soft pedal down. In particular, the releases of very short notes, with lengths between and 1, ms, were recorded in subtly gradated steps, because in this range the length of each held note most affects the volume and sound of the release.
Therefore the Vienna Imperial can reproduce release sounds very authentically, most audibly when playing short staccatos in the lowest range. The dedicated piano engine supports sympathetic string resonances. There are two variants, sympathetic resonances of individual strings pedal-up and of all non-damped strings pedal-down. The first case covers the overtone resonances of each individual string reacting to other keys being played. An algorithmic solution recreates what happens in a real piano, based on a bank of carefully tuned resonance filters.
The amount of this resonance can be adjusted with the Sympathetic Resonance parameter.